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产品名称: 兰亭序 产品类型: 地方特色
产品材质: 桑蚕丝 包装类型:
画芯规格: 123*36 成品规格: 168*61
发布时间: 2010-4-18 22:31:48

兰亭序

东晋穆帝永和九年(公元三五三年)山东临沂人王羲之暮春三月与友人聚会兰亭,饮酒赋诗,不亦乐乎。王羲之乘醉用笔写诗集序文于薄如蝉翼之丝绸,挥洒自如,似有神助。全篇二十八行,三百二十四字,俯仰有致,欹侧多姿,顾盼生情,一气呵成之痛快淋漓尽现其间,妙不可言。尤以文中二十“之”字,各具面目,丰韵各异,足见作者高深的书法艺术造诣。《兰亭序》被后人誉之为“天下第一行书”,成为书法史上标志性作品。 唐太宗李世民酷爱王羲之书法,得到《兰亭序》真迹后曾命弘文馆书人冯承素、褚遂良等人双勾廓填摹成《兰亭序》,副本分赐给诸王近臣。据传真迹随着唐太宗李世民寿终而成了殉葬品,再也没有人见到过。 由于《兰亭序》受到众多王侯文人喜爱,为便于收藏传承,唐代在成都设置锦官专织蜀锦,蜀锦艺人们潜心制作出了第一代文字锦《兰亭序》。 今天为满足人们日趋增长的物质文化需求,再现太平盛世的历史辉煌,现代蜀锦艺人们采用古人秘籍生产出了第二代文字锦《兰亭序》。无论是印章还是文字沙笔的处理都极具独妙,通篇字里行间千姿百态而纯出自然,由物超妍被非物质文化遗产蜀锦表现的淋漓尽致、神韵无穷。 On a late spring day in March of the 9th year (353A.D.) in Mu Emperor’s Yonghe period (East Jin Dynasty), Wang xizhi, born in Linxi of Shandong, together with his friends had a gather at Lanting(Orchid Pavilion), where they drank wine and wrote poems with great delight. By help of magic power of inebriation, Wangxizhi wrote the preface to the collection of poems on a silk cloth as thin as the wings of a cicada with amazing ease and smoothness, as if with immortals’ help. The whole preface, composed of 324 Chinese characters in 28 lines, was finished without any letup. Correspondence and rhymes with deep emotion materialized by the strokes, the feelings of great thoroughness expressed incisively and vividly among the characters, it is really a wonder in deed. Especially, each of the 20 repeated Chinese character “zhi” differs from another with their own marvelous grace and lingering charm, which sufficiently displays the profound accomplishments of the writer in calligraphy. Preface to Lanting Poem Collection (“the Preface”)is reputed as “the Best Running Script in the world” by later generations, and became the symbolic writing in the history of calligraphy. Li Shimin, Taizong Emperor of the Tang Dynasty, affectionately appreciated the handwriting of Wangxizhi. When got the authentic work, he ordered Feng Chengsu and Zhu Suiliang and other calligraphers from Hongwen Academy of Literature to copy the model outline of the Preface, and granted the copies to his lords and ministers. It is said that the authentic work was buried with Li Shimin, the emperor of the Tang Dynasty, and was never seen again. In Tang Dynasty, brocade officials were staffed specially for the production of Shu brocade (brocade from Sichuan ). As the Preface was favored by many lords and literati, the handicraftsmen of Shu brocade meticulously produced the first generation of the Preface in Chinese character pattern for convenient collection and handing down. To meet the growing material and cultural needs of people and reappear the glory history of the millenarianism, modern Shu brocade handicraftsmen have now developed and produced, based on the study of the relevant ancient rare books, the second generation of the Preface in Chinese character pattern. Value plus is thoroughly realized by Shu brocade in Chinsese character pattern, the nonmaterial cultural heritage, on which Chinese characters of the whole preface appear in different and natural postures and posts, even the seals and the forky strokes are wonderfully processed with infinite verve.

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